![]() ![]() ![]() Are we getting it so far? No, me neither. The Mimeophon (from Greek mimeo (repeat/copy) and phon (sound)) is a stereo, multi-zone colour audio repeater referencing various vintage copying devices. Each VCO can use either SAM or SAO, or a combination. Overview Mimeophon is an innovative stereo digital delay effect with multiple zones designed by Make Noise and Tom Erbe of Soundhack, putting it in the same. The Soundhack Mimeophon is a new 16HP music synthesiser module designed by Make Noise and soundhack & coded by Tom Erbe. ![]() These are stored in Arrays that the Spectral Array Oscillation (SAO) uses to create oscillations. ![]() It allows for Stereo modulations of Time, Space and Timbre of Mono or Stereo sound sources. The Mimeophon (from Greek mimeo (repeat/copy) and phon (sound)) is a modern take on various historical copying devices. It allows for Stereo modulations of Time, Space and Timbre of Mono. The Mimeophon (from Greek mimeo (repeat/copy) and phon (sound)) is a modern take on various historical sound copying, echo and repeating devices. It produces sound through Spectral Amplitude Modulation (SAM) based on the continuous analysis of the audio at the input. The Mimeophon music synthesizer module is a stereo, multi-zone color audio repeater by Make Noise and soundhack, coded by Tom Erbe. The Mimeophon music synthesizer module is a stereo, multi-zone color audio repeater by Make Noise and soundhack, coded by Tom Erbe. '.the most inspiring module of the year.' -Electronic Musician. It houses two digital oscillators connected to eight outputs, two inputs, two gates and ten CV inputs. The Echophon music synthesizer module is a Pitch Shifting Echo with smooth Time Modulation, Tempo Sync, saturating Feedback and a unique Pitch Shifting algorithm inspired by the Springer Tempophon and lovingly engineered by DSP Guru Tom Erbe of soundhack. Spectraphon is laid out to have two almost identical sides. So, let’s see if we can work out what it does. …classic electronic musical instruments of the past, including spectral processors, additive synthesis, vocoders, and resonators especially the Buchla 296 and Touché, but it takes a physical form more resembling the classic analog dual complex oscillator in the lineage of the Buchla 259 and the Make Noise DPO. No modulation is applied except some simple LFOs from Maths. Make Noise says its inspiration comes from: Just a modular sound exploration using Make Noise / SoundHack Morphagene & Mimeophon. 10mA of -12VDC regulated voltage and a properly formatted. It pushes the resolution and noise floor in two different directions and gives the perfect framework for Soundhack’s Tom Erbe DSP code to be unleashed. The Make Noise soundhack Mimeophon is an electronic music module requiring 100mA of +12VDC and. It allows for Stereo modulations of Time, Space and Timbre. The Mimeophon is capable of modulating and morphing time scales of repeated sound from micro-sound to note to phrase length while also colouring and spatializing the repeats.This sees the birth of a new digital hardware platform for Make Noise. The Mimeophon is a modern take on various historical sound copying, echo and repeating devices. ![]()
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![]() Now based again in her home town of Vancouver, she made My Name is Suzie Ungerleider with producer Jim Bryson, whose assured touch amplifies the atmospheric dreamscapes contained in Suzie’s reflective, intimate songbook. “Like ghosts,” she says, “sometimes you just need to just sit with them, feel their power, and, because they feel seen, they release their hold on you for a little while.” Elsewhere, the album depicts an older and wiser artist and mother sometimes writing for her daughter, both at the time of her dramatically premature birth and miraculous survival on the achingly pretty ‘Summerbaby’ and, now a teenager herself, courageously dealing with her own identity on the intimate ‘Hearts,’ on which mountains of blue watch over her. It’s a deep subject with an upbeat punchline. ![]() The new album is introduced by the characteristically searing ‘Baby Blues,’ a song about how the traumatic events we witness when we’re young can haunt and indeed shape our older selves. Leaving Oh Susanna behind, she’s become her true self with a wonderful record that marks a fresh beginning, a collection of new compositions that refresh and redefine who Suzie Ungerleider is. Watch the video for Choosey Susie from The Stranglerss The Old Testament (UA Studio Recs 77-82) for free, and see the artwork, lyrics and similar artists. She came to understand its historic associations to Minstrelsy, a tradition both demeaning and dehumanising to black people. Different from all other bully prevention programs, Choosy Suzy is not a lecturer. The name change is both a personal and political decision, fuelled by her realisation that ‘Oh Susanna,’ the Stephen Foster song of 1848, contained racist imagery and a belief system that she wanted no part of. Explore the tracklist, credits, statistics, and more for Peasant In The Big Shitty / Choosey Susie by The Stranglers. Choosy Suzy is recognized across the country, providing kids with a role model who is a champion of good character. “It once protected me, but I need to take it off so I can be all of who I am.” Instead she entertains students with an exciting, fast-paced show that is. ![]() “So here I am, leaving behind the trappings of a persona that gave me the courage to climb up onstage and reveal what is in my heart,” she reflects. Different from all other bully prevention programs, Choosy Suzy is not a lecturer. The decision to say “so long” to her long-time moniker Oh Susanna represents her recognition that the “exciting, dark, funny, charming” character that she thought was Oh Susanna was actually Suzie Ungerleider all along. It’s her first since the artist formerly known as Oh Susanna announced that she would now record and perform under her birth name.īursting with trademark evocative melodies and trenchant lyrics, it’s the tenth solo studio album by the American-born, Canadian-raised artist revered for such landmark records as Johnstown, Sleepy Little Sailor and A Girl in Teen City. Two-time Canadian Juno Award nominee Suzie Ungerleider officially opens a new chapter of her already distinguished and highly successful career with the August 13 release of her new album entitled My Name is Suzie Ungerleider. ![]() ![]() ![]()
![]() ![]() The forklift takes a 7.2V 400mAh Battery (included) and can work for about 25 mins on one charge. BATTERIES & FUNCTIONS: The top race remote control construction truck is fully functional, it moves forward/backwards, turns right/left.Extendable fork can reach up to 15" high. The Top Race construction toys forklift dimensions: 22" x 8" x 13" (LxWxH). And will not interfere with any other Top Race construction trucks. DIMENSIONS: This JUMBO remote control forklift packs maximum power, operating on 2.4Ghz with a remote control distance of more than 100 feet.The Top Race RC forklift with its powerful motors can lift cargo up to 6 lbs and can pull an enormous weight of up to 26 lbs. BIG & POWERFUL: Built to a large 1:10 scale, this remote control construction toy forklift measures 13 inches tall, and the fork extends to another 15" high.This means that deliveries are usually twice as fast as with DHL Economy. We ship with DHL Premium instead of DHL Economy. In this instance, the statutory provisions shall apply. If this is not possible or should the customer not agree, the vendor may not render the promised service. In the event of an ordered item not being available, the vendor reserves the right to render a service equivalent in quality and price (goods or service) insofar as this is reasonable for the customer and the latter agrees to the replacement in writing. The costs of transport and packaging are only charged once with part-deliveries. ![]() the delivery of the remaining goods ordered is ensured and this will not cause the customer any substantial extra work or additional costs (unless the vendor is willing to accept these costs).the part-delivery can be used by the customer within the scope of the contractual designated purpose,.Part-deliveries are permissible unless the customer has no discernible interest in them or they would be clearly unreasonable. ![]() If there are no details given about the stock or delivery times, the delivery times for goods in stock will apply. You can determine whether or not the goods are available from the text of the offer. With goods not in stock, the delivery time can take up to two weeks from receipt of order. Goods already in stock with the vendor will be shipped – unless otherwise stated in the offer – within two working days after receiving an order. CARSON reserves the rights to change, update or replace any component at any time.Īll prices are final prices, which include statutory VAT. The packaging has to be kept since itĬontains important informations. Ready-to-drive model, 2.4 GHz remote control with carry strap, driverįigure, palette with cargo, 9x LR6/AA batteries for remote control and vehicle, instructions. 9 x AA mignon cells (included) supply the power, 5 in the truck and 4 in the remote control. Driverįigure, a pallet with load, and driving/transmitter batteries are Besides the driving functions, the truck hasĪ fully functional forklift as well as a light and sound module. Truck and its numerous functions are remote-controlled by a 2.4 GHzĦ-channel desk transmitter. The CARSON MODEL SPORT Linde H 40 D - red forklift truck is a completelyįunctional RC model that can lift loads of up to 350 g. ![]() ![]() ![]() Stackhouse, 1990: The relevance of the microphysical and radiative properties of cirrus clouds to climate and climate feedback. Wilson, 2000: Operational weather radar in thr United States: Progress and opportunity. Stephens, 1995: Theoretical aspects of modeling backscattering by cirrus particles at millimeter wavelengths. Dong, 2009: Cirrus clouds and deep convection in the tropics: Insights from CALIPSO and CloudSat. Liao, 1996: Estimation of cloud content by W-band radar. Sassen, K., 1987: Ice cloud content from radar reflectivity. Bouniol, 2006: Impact of conditional sampling and instrumental limitations on the statistics of cloud properties derived from cloud radar and lidar at SIRTA. Widener, 1998: An unattended cloud profiling radar for use in climate research. L., 1996: Use of mass- and area-dimensional power laws for determining precipitation particle terminal velocities. Heymsfield, 2002: Profiling cloud ice mass and particle characteristic size from Doppler radar measurements. Bartram, 2001: On the use of radar depolarization ratios for estimating shapes of ice hydrometeors in winter clouds. Y., 1999: Retrieval of vertical profiles of ice cloud microphysics from radar and IR measurements using tuned regressions between reflectivity and cloud parameters. Platt, and Harshvardhan, 1988: Temperature dependence of cirrus extinction: Implications for climate feedback. Poellot, 2002: On retrieving the microphysical properties of cirrus clouds using the moments of the millimeterwavelength Doppler spectrum. ![]() Ackerman, 2001: The composite characteristics of cirrus clouds: bulk properties revealed by one year of continuous cloud radar data. ![]() Young, 1998: Cirrus layer microphysical properties derived from surface-based millimeter radar and infrared interferometer data. N., 1986: Influence of cirrus clouds on weather and climate processes: A global perspective. Meteorological Science and Technology, 37(5), 567–571. Yin, 2009: Cloud radar and its field experiments in China. Marks Jr., 2003: Cloud radar observations of vertical draft sand microphysics in the convective rain. Liou, 1989: The effect s of the nonsphericity and size distribution of ice crystals on the radiative properties of cirrus clouds. Toon, 2004: Mission investigates tropical cirrus clouds. Iaquinta, 2000: Cirrus crystal terminal velocities. J., 1977: Precipitation development in stratiform ice clouds: A microphysical and dynamical study. E., 1994: Measurement of cloud dropletsize spectra by Doppler radar. J., and Coauthors, 2004: Evolution of a Florida cirrus anvil. Macke, 2004: Use of equivalent spheres to model the relation between radar reflectivity and optical extinction of ice cloud particles. ![]() OPERA/WD/9/1999, EUMETNET OPERA Programme.ĭonovan, D. Bizic, 2000: Overview of radar data quality-censuring procedures at European weather radar stations. Journal of Applied Meteorology and Climatology, 45, 1690–1709.ĭivjak, M., P. Mace, 2006: Cirrus microphysical properties and air motion statistics using cloud radar Doppler moments. Mace, 2002: Ground based lidar and radar remote sensing of tropical cirrus cloudsat NauruI sland: Cloud statistics and radiative impacts. Verlinde, 2000: The retrieval of turbulent broadening in radar Doppler using linear inversion with double-sided constraint. Walsh, 1999: Millimeter wave scattering from spatial and planar buller rosette. Wolff, 1995: Radar and radiation properties of ice clouds. ![]() ![]() I'm about 40 years behind the times on that too. Welcome to the 21st century Jimbo, where'ya been? Without the CAD it would have been far more difficult. The darn things dropped right into place first try. I made some gears for this box the other day, one tooth short and a half-DP larger from the original. LibreCAD is several steps above paperCAD though. My ignorance of the others probably helps keep the frustration level down. Ugh, after using Solid Edge 2D for so long, it's real painful to go to a less powerful CAD program.Īre you running Linux? If you're running Windows and have just started CAD I'd suggest you give Solid Edge 2D a try. I downloaded LibreCAD again yesterday and played around with it a bit. RE: LibreCAD squiggle trimming? - EdK - 02-28-2016 I'm following LibreCAD by way of this guy: Trim and Lengthen lines as needed until your frame looks like the. Looks like multiple types of dashed lines will have to do. LibreCAD is a free Open Source computer-aided design (CAD) application for 2D design. I changed my hatch so I don't mistake it for a line again, the ends are still square.Ī screw thread is out of the picture too. CAD has been a huge help, I'm glad I tackled it.Īs to the original problem, LibreCAD can't use a nurb (!) as a limiter or trim and they basically are a stick in the mud. Sometimes feel like I left the house without my pants. ![]() I'll have to read more - biggest question is why don't they call them "curves"? I'd guess it's because they are dots and not connected as far as LibreCAD knows.ĭid I already warn you that this was my first CAD project? Clueless. RE: LibreCAD squiggle trimming? - Sunset Machine - 02-28-2016 So if you're talking about a spline in relation to CAD, then this link should explain it. I assume you aren't talking about a shaft spline. (02-27-2016, 12:26 PM)Sunset Machine Wrote: What's a spline? I keep seeing that term. What's a spline? I keep seeing that term. RE: LibreCAD squiggle trimming? - Sunset Machine - 02-27-2016 I use Solid Edge 2D and it has a built in function for creating the squiggly lines, and other types of break lines, for that type of scenario. I think you'll need to draw the squiggly lines and then do the fill. RE: LibreCAD squiggle trimming? - EdK - 02-27-2016 It's not a solid black bar, it just looks that way. The black bar is actually 4 sides that I filled in with a hash. RE: LibreCAD squiggle trimming? - EdK - 02-26-2016 RE: LibreCAD squiggle trimming? - Sunset Machine - 02-26-2016 It says select a limiter, I select the squiggle, and then to trim. I've a solid bar drawn and want to trim the ends with a squiggle to show that the bar is only a part of a larger structure. LibreCAD squiggle trimming? - Sunset Machine - 02-26-2016 ![]() ![]() ![]() Language: English Words: 2,840 Chapters: 1/2 Collections: 2 Comments: 1 Kudos: 3 Hits: 36 Inspired by the song of the same name by Taylor Swift Series Caitlyn Needs a Hug (League of Legends)Ĭaitlyn’s new life as a married woman leaves a lot to be desired.Ghost of yaz (rpholic) Fandoms: Arcane: League of Legends (Cartoon 2021), League of Legends Language: English Words: 47,877 Chapters: 20/? Comments: 213 Kudos: 496 Bookmarks: 41 Hits: 19069 Title from the Kodaline song of the same name. Powder would still squeeze her tight the moment she got back within reach, shyly whimper into her chest and douse Vi with her sweet scent of relief. Do things that would seemingly be for the sake of drawing her gaze when she could not be physically close.Īs many times as she’d shove her away or otherwise handle her a little too roughly, fully taking advantage of her superior size, she’d still seek her out immediately after.Īlmost as if a single touch or soft glance would make her entirely forget how much of a jerk Vi could be towards her without true justification. " Vi never understood how no matter how many times she would do this, Powder would still run after her. I Think I Can Officially Claim This As A.Ch 15 Got Us To The Final Rating Bump Y'all!.Non-Traditional Alpha/Beta/Omega Dynamics.(Between ViJINX But For Now Enjoy The Spice™️ Sprinkled Throughout).WhatWeAre Fandoms: Arcane: League of Legends (Cartoon 2021), League of Legends Language: English Words: 4,571 Chapters: 3/? Bookmarks: 1 Hits: 38 A story full of love, jealousy, friendship, an unlikely family, never knowing what tomorrow will bring and of course trouble. For the better? Well she doesn't know yet. It was a normal day for 15-year-old Sevika until she got into trouble that she couldn't handle on her own, but when she runs into a tall, beast-like boy her life changes. mentions mental/emotional/physical abuse.Sevika (Arcane: League of Legends)/Vander (Arcane: League of Legends). ![]() Graphic Depictions Of Violence, Major Character Death.Rosey_Posey23 Fandoms: Arcane: League of Legends (Cartoon 2021) ![]() ![]() ![]() If you haven’t figured it out yet, Passpartout is a game about painting. Despite that, I admit I myself, wanted more but that didn’t stop me from enjoying the game. I found that you do become intimately familiar with the different forms and styles of painting. If you are looking for something with a tycoon aspect like Painter’s guild, you’re not going to find it. This is solely about painting nothing more. While that sounds obvious, it’s something I felt needed to be stated. ![]() Passpartout is game you only get as much out of as much as you put in. If you are really, really good at using Microsoft paint and can make the Mona Lisa you can still play this game. If you are like me and can only manage terrible stick figures, you can still play this game. The beautiful thing about art is that it’s completely subjective and Passpartout captures this extensively. ![]() Passpartout is our canvas today and the games’ features are its paints and brushes. When a game comes along and gives me the chance to live out that painter fantasy, it has my attention. Then I realize that sounds awful, and stick to games. Still, sometimes I see myself in a fancy beret, pencil mustache, and talking about how ephemeral things are. We have been there though, looked at art and gone, “I can do that!” then quickly realized these people were talented and had years of practice. The Joy of Painting was my first example that art can be done beautifully, compared to my own art adventures where it looked like I was electrocuted holding a marker. When a white guy with a huge afro appears on my screen with a white canvas and the voice of an angel. It’s the 90’s, I am bored and up way too late at night watching public access television. Living the dream of being an artist on fast forward in Passpartout ![]() ![]() Consider this your invitation to join in! The broad gathering of custom vehicles-representing every tradition of automotive culture in one place-is not likely to occur again anywhere else on the planet…until next year. For car guys and their friends, it was paradise-a rare chance to view extraordinary SEMA Show vehicles up close, study their equipment combinations and take note of unique design features. Every few steps, another inspiring automotive creation was there to be experienced. When the gates opened, SEMA Ignited ticket holders poured into a setting of live music on three stages, a lively retail midway, good food and refreshments and a continuous drifting exhibition. As daylight faded into night, the crowd took a short walk across the street to the vast Gold Lot, where attendees discovered that the party had just begun. Outside, approximately 3,000 delighted enthusiasts waited, lining the streets to witness a steady stream of custom musclecars, perfectly restored classics, high-performance pro-tourers, outrageous off-road machines, exquisite hot rods, stylish lead sleds, sleek sports cars, fabulous lowriders, imported exotics and all manner of one-of-a-kind, built-from-the-ground-up creations. Opening Act: The SEMA CruiseĮven as exhibitors in the trade-only 2015 SEMA Show wrapped up their last transactions, hundreds of custom vehicles roared to life and poured out the doors of the Las Vegas Convention Center to join the eagerly anticipated SEMA Cruise. The accompanying photos provide a taste of the excitement from the second annual SEMA Ignited. SEMA News photographers were on hand to capture the moment. More than 27,000 registered for the event, up 20% from the previous year, but the cars, music and celebrities contributed to a surge of social-media postings that pulsed through the enthusiast community and beyond. ![]() In just its second year, SEMA Ignited has become a broad-based celebration of American car culture. The Ignited event, situated just a short walk from the Las Vegas Convention Center, gave thousands of car enthusiasts a magical opportunity to view singular automotive creations on display at the world-famous SEMA Show. ![]() SEMA Ignited, conceived as a way for SEMA Show exhibitors to extend their brands to a consumer audience, kicked off Friday night after the weeklong, trade-only SEMA Show ended. By John Stewart and Mike Imlay Second Annual SEMA Ignited The Official SEMA Show After-Party Lights Up Friday Night ![]() ![]() ![]() You just need to Drag the image and fit as per your need. I have experience of 4 years in graphic designing. Resize your desire image using this Social Media YouTube Video Thumbnail Resizer. The API supports the following methods for thumbnails resources: set Uploads a custom video thumbnail to YouTube and sets it for a video. I will help with photoshop editing,add or remove background,resize image and advanced photo editing. The image is not cropped, but may include black bars so that the size is correct. ![]() If an uploaded thumbnail image does not match the required dimensions, the image is resized to match the correct size without changing its aspect ratio.However, the width and height properties may not be returned for that image. Each object that contains information about a thumbnail image size has a width property and a height property.For example, an HD video may support higher resolution thumbnails than non-HD videos. Resources of the same type may still have different thumbnail image sizes for certain images depending on the resolution of the original image or content uploaded to YouTube.For example, the default thumbnail image for a video resource is typically 120px by 90px, and the default thumbnail image for a channel resource is typically 88px by 88px. Different types of resources may define different sizes for thumbnail images with the same name.Different types of resources may support different thumbnail image sizes.The name of each object ( default, medium, high, etc.) refers to the thumbnail image size. A thumbnail resource contains a series of objects.A resource's snippet.thumbnails property is an object that identifies the thumbnail images available for that resource.Please note the following characteristics of thumbnail images: A thumbnail resource identifies different thumbnail image sizes associated with a resource. ![]() |